top of page

IRL (2019) Acrylic and spray paint on canvas, found object. 130cm x 180cm. Photography: Document Photography

Sydney College of the Arts Degree Show (2019) SCA Galleries, Rozelle, NSW. Photography: Document Photography

Seen, 2019,_edited.jpg

Seen (2019)
Acrylic, oil and spray paint on canvas
135cm x 180cm

Photography: Document Photography

It all started when you slid in my DMs (2020)
Acrylic, oil and spray paint on canvas
120cm x 150cm

Photography: Campbell Henderson

Gold Star for Trying (2020)
Acrylic, oil and spray paint on canvas
135cm x 180cm

Photography: Campbell Henderson

Pop-Up (2020)
Acrylic, oil and spray paint on acrylic, dye-sumblimation on polyester
75cm x 120cm

Photography: Campbell Henderson

Newsfeed (2020)
Spray paint on polyester
190cm x 120cm

Photography: Campbell Henderson

Artist Notes

 

My painting practice takes inspiration from the online world of social media, message threads and newsfeeds. The works are informed by traditions in abstract painting and pop art; combining expressive gestures and emoji-like iconography with references to advertising and communication, that explore the liminal space between crossing virtual and physical environments.  

My work does not sit neatly between abstraction, figuration or text-based painting, aiming to respond to the multitude of ways we absorb information and communicate in the online world. My use of mark-making and gesture is the index of my being and presence as I navigate cyberscapes and real spaces, evoking a sense of fast-paced scrolling, scribbling, and senselessness. The bright colour palettes are inspired by the hues of Instagram and virtual environments. I choose to work on raw canvas because I like the rawness of the surface, it contrasts the sleek hard glass of screes and brings me closer to the work. On the surface the works appear light and cheerful, like the sleek palette of an Instagram feed, but beneath many of the works is a sense of emptiness reflecting the lonely individual behind the screen.

Photography: Ian Hobbs, Campbell Henderson and Document Photography

bottom of page